Exercise: A paragraph

The prompt:

Write a paragraph, on any subject, in any genre. One restriction: every word has to begin with the letter A.

Once the groans have settled down they get to work. After a few minutes I give them a break and we compile some word lists.

Nouns: aardvark, atom, alien, Amy, Ahmed, alligator …

Verbs: assert, affirm, anger, angle, aim, am, are …

Adjectives, adverbs …

Prepositions: about, after, at, above

Conjunctions: and, although

Articles: a, an

Some material to work with. And you wouldn’t believe the things Andy Aardvark gets up to as amorous aliens advance assertively.

A silly prompt I remembered from a high school English class. And a not too bad entry to parts of speech.

Student work: Anagram poems

One more before this body heads to the gym. My students did great work with the anagram prompt. A few excerpts, posted with their permissions —

CHRYSANTHEMUM

musty men are her master
they see her as a chummy trashy muse


WANDERLUST

we learn as stars learn
sedated
wasted as a last sunset


PUGNACIOUS

pugs can coop up
in a soup can


GUNSHOT

shoot to sun
oh unhung sun
so soon


WEATHERS

Earth sews art,
water, seas

trees thrash
that were at rest

here we
are rare

we stare at stars,
aware


DREAMING

i dear am dreaming
in man-made greed


FINGERS

ginger grins
green ferns
fire rising

I see sense in freeing sin.


LUMINESCENT

sun: i see it set in mist
mice scuttle, still
insects teem in nite’s lull


ANXIETIES

I see sentient entities
six ants in tea


AUTHORIZED

I hear the tzar roar

I tour the tear
I hear the horror

teaching portfolio

Exercise: Anagram poem

Christian Bök describes his poem “Vowels” as an “anagrammatic text.” It builds itself out of permutations of the letters of the title. Write a poem according to the same principles. Your title should be a single word.

VOWELS

loveless vessels

we vow
solo love

we see
love solve loss

else we see
love sow woe

selves we woo
we lose

losses we levee
we owe

we sell
loose vows

so we love
less well

so low
so level

wolves evolve

teaching portfolio

Exercise: Compost mural

From a 20 foot mural my class made today in 50 minutes (give or take). The prompt: using only the materials you have on hand, or can forage from the surrounding environment without breaking the law or hurting anyone’s feelings, express your understanding of “the art of compost” (course title). In other words, a crash course in targeted bricolage.

Photocopier poems

My paper towel star cluster poems. Made in five minutes on the department photocopier (and then some cropping via Picassa.) Somewhere in here, somehow, is the fact of having watched  Under the Skin, the first half, last night. Kinda slow, but the opening sequence, mating planet and iris, seems to have stayed with.

Exercise: Photocopier poem

Here’s their “writing” exercise for tomorrow:

After “reading” the examples, compose a poem by messing around on a photocopier. You should try out several kinds of manipulation (e.g., twisting, turning, shaking, fluttering) on several kinds of original (e.g., text, image, object) before deciding on a practice and a source to commit to. And then don’t be dismayed if it takes further trials to get to a poem you feel pleased enough with to hand in.

I played around on the department photocopier today (keeping a wary eye out for L. who had just cleaned the glass to a sparkle) with paperclips, paper towels, binder tabs. The paper towel rolls came out best & I’ll post them tonight.

Exercise: Strange surfaces

Write a fragment, prose or verse, on an unconventional surface. In other words, what Emily Dickinson does in The Gorgeous Nothings, you do too, on some other inscribable surface.

For instance, you might take a paper bag and cut a shape from it. Triangle, rhombus, hourglass, angel wing? Make sure it has interesting surface features. Seams and ledges and creases.

Then to write on it a text that heeds the shapes available. Do you ride right over seams between paper zones? Or arrange your thought to accommodate ledges, flaps, secret corners? Does the form of the surface maybe inflect the words you set down there?

The distinction between prose and verse starts to decay here.

FOR ADVANCED USERS (that’s anyone). Pay attention also to your writing implement. Dickinson’s envelope poems leave traces of her process — for instance, some variants were surely pencilled in later, after the whole was composed, if the quality of pencil line (darker, slimmer) is any guide at all.

The word for it’s materiality — that the matter matters.

Etymologically, matter is mother.

Hebrew: Adam = “red earth.”

Haida: human = “ordinary surface bird.”

We’re earth children you and I. Squawk and g’night.